$590.00 – $7,740.00Price range: $590.00 through $7,740.00 AUD
Shipping to the USA? Printed in California, free shipping →
Printed in California and shipped free across the USA. Each print is made to order on cotton rag paper, arrives in 1 to 2 weeks and comes with its certificate of authenticity. US shipping details
The 200 cm size is bigger than the California lab can print, so it's printed in Perth and shipped to you free. Please allow 3 to 4 weeks.
The story
Remote outback, Western Australia
Far out in the remote goldfields of Western Australia, a narrow ridge of land separates two white tailings ponds. Rust reds, olive greens and pale yellows run along its length, while the surface of the ponds has dried into a fine black and white lacework. A small stand of trees clings to the high point, making it feel more like a painting than an industrial landscape.
Your print is numbered the moment your order is paid, and comes with a certificate of authenticity signed by Scott, showing the edition number, size, finish and paper. You will also receive a link to a digital copy and a code anyone can use to verify it.
This edition is strictly limited to 15 prints across every size and finish, plus 2 artist's proofs. It will never be reprinted, re-editioned or released in another size or medium.
Every number is recorded in a permanent register kept by the artist. Numbers are issued in order of purchase and each one belongs to a single certificate, so no two collectors can ever hold the same number.
If this print changes hands, this certificate is retired and a new one is issued to the new owner for the same number, keeping the history of the work unbroken.
Hi, I'm Scott
Every print here is my own work. If you'd like a hand choosing a size, paper or frame, just ask. I reply personally.
Remote outback, Western Australia
Far out in the remote goldfields of Western Australia, a narrow ridge of land separates two white tailings ponds. Rust reds, olive greens and pale yellows run along its length, while the surface of the ponds has dried into a fine black and white lacework. A small stand of trees clings to the high point, making it feel more like a painting than an industrial landscape.
The paper
Every print is made on a 100% cotton fine art paper from Hahnemühle or Moab, two of the most respected names in archival printing.
From the air, these landscapes are all texture: salt crusts, tidal channels, wind lines in the sand. A gently textured paper carries some of that onto your wall. As the light in your room moves through the day, the surface catches it and gives the print a quiet, three dimensional depth that smooth photo paper can't.
I match each image to its paper by hand, so the texture always suits the subject.
100% cotton · 308 gsm · made in Germany
A lightly defined felt surface on a clean white base. Soft to the touch, with crisp detail and deep blacks, it holds every grain of sand and ripple of water.
100% cotton · 255 gsm · mould made in England
Made on a traditional cylinder mould at St Cuthberts Mill, with a fine grain and a warm natural white. It has the feel of handmade paper and brings a softness to warm tones, tidal flats and desert country.
The cotton fibres give the surface a gentle relief, so the image shifts softly as the light moves across it.
A matte surface with no shine, so the print reads clearly from any angle in the room.
Acid free cotton paper and archival pigment inks, made to be enjoyed for generations.
